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byzantine-bling:

Saint Nicholas, Cloisonne enamel plaque, 10th
Museo Lazaro Galdiano, Madrid, Spain

Byzantine enamel depicting st Nicolaos
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byzantine-bling:

Saint Nicholas, Cloisonne enamel plaque, 10th

Museo Lazaro Galdiano, Madrid, Spain

Byzantine enamel depicting st Nicolaos

    • #enamel
    • #byzantine art
    • #history
    • #st Nicolas
  • 3 months ago > byzantine-bling
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allaboutmary:

The 11th century mosaic of Mary as the Virgin Orante (in prayer) in the apse of the cathedral of St Sophia in Kiev, Ukraine.
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allaboutmary:

The 11th century mosaic of Mary as the Virgin Orante (in prayer) in the apse of the cathedral of St Sophia in Kiev, Ukraine.

    • #byzantine mosaic
    • #kiev
    • #st sophia
    • #history
    • #byzantine art
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The “Rubens Vase” (Byzantine Empire). Carved in high relief from a single piece of agate, this extraordinary vase was most likely created in an imperial workshop for a Byzantine emperor.
from wikipedia
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The “Rubens Vase” (Byzantine Empire). Carved in high relief from a single piece of agate, this extraordinary vase was most likely created in an imperial workshop for a Byzantine emperor.

from wikipedia

    • #Rubens vase
    • #byzantine art
    • #history
  • 3 months ago
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Saint Menas with Flanking Camels From Ivories of the So-Called Grado Chair Eastern Mediterranean or Egypt, 7th–8th century 10.2 x 8.5 x 0.6 cm (4 x 3-1/4 x 1/4 in.) Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan Image: Courtesy Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan
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Saint Menas with Flanking Camels
From Ivories of the So-Called Grado Chair
Eastern Mediterranean or Egypt, 7th–8th century
10.2 x 8.5 x 0.6 cm (4 x 3-1/4 x 1/4 in.)
Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan
Image: Courtesy Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan

    • #ivory
    • #St Menas
    • #Byzantine Art
  • 7 months ago
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Mosaic Fragment with a Pair of Goats
Date:
ca. 535/536
Geography:
Made in, Jordan, ecavated at Khirbat al-Mukhayyat
Medium:
Colored stone tesserae on a white background
Dimensions:
135 1/16 x 124 x 5 7/8 in. (343 x 315 x 15 cm)
Classification:
Mosaics
Credit Line:
Franciscan Archaeological Institute–Mount Nebo, Custody of the Holy Land
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Mosaic Fragment with a Pair of Goats

Date:

ca. 535/536

Geography:

Made in, Jordan, ecavated at Khirbat al-Mukhayyat

Medium:

Colored stone tesserae on a white background

Dimensions:

135 1/16 x 124 x 5 7/8 in. (343 x 315 x 15 cm)

Classification:

Mosaics

Credit Line:

Franciscan Archaeological Institute–Mount Nebo, Custody of the Holy Land

    • #mosaic
    • #byzantine art
    • #history
  • 7 months ago
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Annunciation, Alexandria or Egypt (?), Syria (?), or Constantinople (?), 8th-9th century, Weft-faced compound twill (samit) in polychrome silk, 33.6 × 68.7 cm,Vatican Museums, Vatican City (61231), Photo Vatican Museums.
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Annunciation, Alexandria or Egypt (?), Syria (?), or Constantinople (?), 8th-9th century, Weft-faced compound twill (samit) in polychrome silk, 33.6 × 68.7 cm,Vatican Museums, Vatican City (61231), Photo Vatican Museums.

    • #Annunciation
    • #Byzantine Silk
    • #Byzantium
    • #history
    • #byzantine Art
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Saint Mark Preaching From Ivories of the So-Called Grado Chair Eastern Mediterranean or Egypt, 7th–8th century 18.9 x 10.5 x .95 cm (7-7/16 x 4-1/8 x 3/16 in.) Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan
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Saint Mark Preaching
From Ivories of the So-Called Grado Chair Eastern Mediterranean or Egypt, 7th–8th century
18.9 x 10.5 x .95 cm (7-7/16 x 4-1/8 x 3/16 in.)
Civiche Raccolte d’Arte Applicata—Castello Sforzesco, Milan

    • #ivory
    • #byzantium
    • #St Mark
    • #Byzantine art
    • #History
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byzantine-bling:

Cover of the reliquary of the tombstone of the Holy Sepulchre:An angel greets the woman at Christ’s tomb. Constantinople,11th-12th. Silver,chased and engraved,on a wooden base, 42,6 x 31 cm
Louvre, Departement des Objets d’Art, Paris, France
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byzantine-bling:

Cover of the reliquary of the tombstone of the Holy Sepulchre:An angel greets the woman at Christ’s tomb. Constantinople,11th-12th. Silver,chased and engraved,on a wooden base, 42,6 x 31 cm

Louvre, Departement des Objets d’Art, Paris, France

(via acheiropoietos)

Source: byzantine-bling

    • #engraved
    • #byzantine art
    • #Byzantium
    • #history
  • 7 months ago > byzantine-bling
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Panel with a Griffin, 1250–1300Byzantine; Possibly from Greece or the BalkansMarble from the Met Museum of Art/
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Panel with a Griffin, 1250–1300
Byzantine; Possibly from Greece or the Balkans
Marble from the Met Museum of Art/

    • #Griffin
    • #Byzantine Art
    • #marble
    • #history
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Reliquary of the True Cross (Staurotheke), late 8th–early 9th centuryByzantine; Made in ConstantinopleCloisonné enamel
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Reliquary of the True Cross (Staurotheke), late 8th–early 9th century
Byzantine; Made in Constantinople
Cloisonné enamel

    • #Staurotheke
    • #Cloisonne enamel
    • #Byzantine Art
    • #True cross
    • #Reliquary
    • #History of Art
  • 7 months ago
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10th century detail of the byzantine paris psalter commissioned during the “Macedonian Renaissance” ; here is King David playing his harp.
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10th century detail of the byzantine paris psalter commissioned during the “Macedonian Renaissance” ; here is King David playing his harp.

    • #Paris Psalter
    • #Macedonian Renaissance
    • #King David
    • #Byzantine Art
    • #10th century
    • #History
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Floor mosaic of a woman carrying a pot (c. 5th century) @ The Great Palace Mosaic Museum.
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Floor mosaic of a woman carrying a pot (c. 5th century) @ The Great Palace Mosaic Museum.

    • #mosaic
    • #great palace
    • #byzantine art
    • #history
  • 9 months ago
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Culture: Byzantine (Thessalonike?)Date: 12th or 13th centuryMaterial: Gold, silver, silver gilt, enamelDimensions: diameter 3.8 cm, depth 1.1 cmInscribed in Greek: reverse: Ο • ΑΤΕΩΡ/ΤΗΟΣ (O St. George) Around the border: ΑΙΤΕΙΣΕ • ΘΕΡΜΟΝ • ΦΡΟΥΡΟΝ • ΕΝ • ΜΑΧΑΙΣ • ΕΧΕΙΝ (He supplicates you to be his fervent guardian in battles; around the sides: ΑΙΜΑΤΙ ΤΩ • ΣΩ • ΚΑΙ • ΜΥΡΩ • ΚΕΧΡΙΣΜΕΝΟΝ (Being anointed by your blood and your myrrh); on the upper ring, a mid-18th-century inscription in Georgian: (trans) St. Kethevan [the] Queen’s relic: Cross: True

from Treasures of Heaven exhibition.
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Culture: Byzantine (Thessalonike?)
Date: 12th or 13th century
Material: Gold, silver, silver gilt, enamel
Dimensions: diameter 3.8 cm, depth 1.1 cm
Inscribed in Greek: reverse: Ο • ΑΤΕΩΡ/ΤΗΟΣ (O St. George) Around the border: ΑΙΤΕΙΣΕ • ΘΕΡΜΟΝ • ΦΡΟΥΡΟΝ • ΕΝ • ΜΑΧΑΙΣ • ΕΧΕΙΝ (He supplicates you to be his fervent guardian in battles; around the sides: ΑΙΜΑΤΙ ΤΩ • ΣΩ • ΚΑΙ • ΜΥΡΩ • ΚΕΧΡΙΣΜΕΝΟΝ (Being anointed by your blood and your myrrh); on the upper ring, a mid-18th-century inscription in Georgian: (trans) St. Kethevan [the] Queen’s relic: Cross: True

from Treasures of Heaven exhibition.

    • #enamel
    • #history
    • #Byzantine Art
    • #Treasures of Heaven
  • 10 months ago
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early 11th century gold and enamel cross; from Constantinople.
inscribed in Greek :

ΜΡ • ΘΥ (Mother of God) ΒΑΣΙΛ (Basil) ΓΡΙ • ΘΑΥΜ (Gregory Thaum[atourgos])
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early 11th century gold and enamel cross; from Constantinople.

inscribed in Greek :

ΜΡ • ΘΥ (Mother of God) ΒΑΣΙΛ (Basil) ΓΡΙ • ΘΑΥΜ (Gregory Thaum[atourgos])

    • #byzantine art
    • #Constantinople
    • #enamel
    • #history
  • 10 months ago
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Byzantine glass Chalice, part of the loot of 1204; now at St marks treasury.
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Byzantine glass Chalice, part of the loot of 1204; now at St marks treasury.

    • #Chalice
    • #byzantine art
    • #ceramics
    • #histtory
    • #1204
    • #venice
  • 10 months ago
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About

This blog is about the Byzantine culture and civilization which centred at the city of Constantinople, spread across Europe, Asia and Africa and greatly influenced people’s lives and deeds. Around the Mediterranean, from the steps of Kiev and the Russian mainland down to the Nile and its Copts; and from the domes and mosques of the Muslim East it spread all the way up to France and the courts of the German emperors. Though politically Byzantium ceased to exist in 1453 when the capital itself fell to the emerging power of the Ottoman Turks, its culture had such deep roots that it continued to influence not only the Ottoman Empire, but all the states which saw themselves as successors to a culture so familiar and so deeply missed.
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